OLD BRONX COURTHOUSE, site visit, January, Bronx, New York.

Installation, Simon Preston Gallery, NYC 12 x 18 x 48 feet lead, steel, hand-twisted steel rope, pulled glass cane, silver, tin, paracord, found street rubble HOUSE OF CARDS installation constructed as an abject, spare scaffolding system on the verge of collapse inspired by a growing unease with the current political climate. The structures lean upon another for support, suspended by paracord and street rubble.

8″ x 16′ / 11 min. loop Aluminum flag pole, rope, steel cleat, six channel stereo sound.

Video/Sound Installation, “When You Cut to the Present The Future Leaks Out,” curated by Regine Basha, No Longer Empty, Old Bronx Courthouse.

Cast prosthetic plastic, dead tree from NY Parks and Recreation Tree Maintenance, Sandbags, Rope.

8″ x 16′ / 11 min. loop Aluminum flag pole, rope, steel cleat, six channel stereo sound.

8″ x 16′ / 11 min. loop Aluminum flag pole, rope, steel cleat, six channel stereo sound.

Size: 120 x 88 inches Tempered architectural glass, ultraviolet light, tin, silver nitrate, varnish, wood. Relying on intuition to guide the body in large gestures, I direct liquid silver nitrate with a pressured air wand over architectural glass, capturing the image of a cloud in mid-explosion: the dynamic residue of violence in the immediate aftermath of a moment of destruction.

Installation, Simon Preston Gallery, NYC 12 x 18 x 48 feet lead, steel, hand-twisted steel rope, pulled glass cane, silver, tin, paracord, found street rubble HOUSE OF CARDS installation constructed as an abject, spare scaffolding system on the verge of collapse inspired by a growing unease with the current political climate. The structures lean upon another for support, suspended by paracord and street rubble.

Installation, Simon Preston Gallery, NYC 12 x 18 x 48 feet lead, steel, hand-twisted steel rope, pulled glass cane, silver, tin, paracord, found street rubble HOUSE OF CARDS installation constructed as an abject, spare scaffolding system on the verge of collapse inspired by a growing unease with the current political climate. The structures lean upon another for support, suspended by paracord and street rubble.

Installation of “Michelle Lopez: The Violent Bear It Away”, Simon Preston Gallery, 2009. SELF-PORTRAIT AS SPECIAL MISSION PROJECT/AKIRA REVISITED-(19 x 19 x 17 in) Resin, soot. WOADSONNER (EDIT), 2000-08 STRANGE FRUIT, 2009- Cast Prosthetic Plastic, Dead tree from NY Parks and Recreation Tree Maintenance, Sandbags, Rope.

Installation, Simon Preston Gallery, NYC 12 x 18 x 48 feet lead, steel, hand-twisted steel rope, pulled glass cane, silver, tin, paracord, found street rubble HOUSE OF CARDS installation constructed as an abject, spare scaffolding system on the verge of collapse inspired by a growing unease with the current political climate. The structures lean upon another for support, suspended by paracord and street rubble.